Mercedes-Benz Financial Services

Archive for 2018


Brandon Bullard

Tuesday, November 6th, 2018

Brandon Bullard’s new piece of commissioned art tracks the timeless appeal of Mercedes-Benz

There are certain pieces of art that make an indelible mark on the viewer, and such was the case with an installation created by Brandon Bullard for the 2016 Experiencing Perspectives art exhibition, hosted by Mercedes-Benz Financial Services at their offices in Farmington Hills, Michigan. The annual exhibition features the work of students and graduates of Cranbrook Academy of Art, in Bloomfield Hills, Michigan, as part of a long-standing partnership with the company.

Bullard, a 2017 graduate of the Academy, created a striking custom work that was displayed for the one-year duration of the exhibition. Due to the high degree of interest in this initial piece, Mercedes-Benz Financial Services subsequently commissioned Bullard to create a smaller-scale execution of the concept to be part of its growing permanent collection.

The original work, entitled #26: MBFS, consisted of branded promotional items,-from banners to beach towels. Quilting, weaving and collage processes were then used to piece together a storyboard surface within the ceiling of the Mercedes-Benz Financial Services building, that highlighted important products, services, awards and values of the company.

Emotional ties to brand inspire creativity

Bullard has an emotional tie to the Mercedes-Benz brand because of his grandparents, who were brand aficionados. “My grandma would travel to Germany to get the latest model,” Bullard explains. He also drew upon the synergy created by channeling his emotional tie into the pursuit of his graduate studies.

Creating #26: MBFS was the first time Bullard worked onsite to create a piece. He was in the Farmington Hills building when it opened at 8 a.m. and typically worked straight through until 11 p.m., for one week. He finalized the details a mere one hour before his presentation.

Bullard says that he enjoyed the camaraderie that came from the employees as they watched his work evolve in their building and asked questions about the process.

“I loved meeting new people and talking with them, and the best part was, as far as I was concerned, there was no hierarchy and I didn’t know who was who,” Bullard says. “That’s how I ended up talking with the company president and didn’t even know it.”

Reimagining the piece: Warhol, Mercedes-Benz brand come together

Bullard recently completed and delivered a second, smaller-scale version of the piece, #29: Midnight Oil, which is now part of the company’s permanent collection. He used a color palette that was inspired by a commissioned Andy Warhol piece that is installed in the Mercedes-Benz Financial Services offices, near Bullard’s work.

To make the piece timeless, nearly 90 percent of it uses the tire track concept, although he also was able to repurpose some of the branded materials he had used in the initial installation; upon closer examination, a viewer can glimpse them among the tracks.

He refers to the finished piece as a “sculptural quilt,” — sculptural in the sense that one can walk around it to gain a new perspective from every position, and “quilt” because he stitched together the various materials using traditional quilting techniques inside a frame.

The piece is aptly named Midnight Oil, not only for the obvious reference to the automotive industry, but also because that’s how the piece was created—by burning the midnight oil, Bullard says. He would perform his “day job” with the Urban Outfitters design team in San Jose, California, from 6:30 a.m. to 2:30 p.m., and then head to his studio to create, six days a week.

Of course each artistic endeavor brings with it unanticipated hurdles; Bullard was surprised at the effort it took to “track” down tires for the new prints, in contrast to the easy access he had had in Detroit. He made several calls in the San Jose area before he found someone willing to let him borrow a used tire to roll across the fabric. Then the next hurdle was shipping it across the country, which was carefully carried out via special crates.

Writing his next chapter

“I have the pleasure of sitting across from Brandon Bullard’s Midnight Oil installation,” says Kathy Chabot, Administrative Assistant to the President. “It’s bright and colorful with four pieces angled together to look like one. Often, I see people stop and admire Brandon’s work, as well as talk about it. He’s a very talented artist.”

As Mercedes-Benz Financial Services employees enjoy #29: Midnight Oil, Bullard is contemplating new creative opportunities after moving back to his hometown of Denver in July 2018. “I am so thankful for the opportunities [Mercedes-Benz Financial Services] gave me. I am better as an artist, thanks to the growth I’ve had throughout this process,” he says, especially pointing out the joy he had in working with the company every step of the way, from inspiration to creative direction to promotion.

To view Brandon Bullard and other artists’ work at the Mercedes-Benz Financial Services offices, you may RSVP to the Experiencing Perspectives Art Reception, to be held on Wednesday, Nov. 7 at 5:30 p.m.


Car engine parts shine in new “Wallwork” installation, Ignite

Monday, August 20th, 2018

Celebrated French painter Henri Matisse once said, “A large part of the beauty of a picture arises from the struggle which an artist wages with his limited medium.”

Matisse, who once designed an entire church—Chapelle du Rosaire—and everything in it, clearly understood that every medium and each canvas large and small presents its own limits and challenges for the artist. The opportunity of the artistic struggle was one the students of Colette Laliberté’s Painting in the Expanded Field class at OCAD University, an art, design and media university, soon came to understand when they selected a medium they had never before used.

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